Long-standing Beatles producer, on hand at the sessions to oversee microphone positions, advise on acoustics and organise any recording that might take place. “Who’s that little old man?” Lennon asked his bandmates. He ended up attending sessions at Twickenham as a spiritual observer. Member of the Radha Krishna Temple group formerly known as Sam Speerstra, who had tracked down George Harrison at Apple HQ the month before the Let It Be filming and introduced him to the Hare Krishna movement. He shot 60 hours of footage and taped 150 hours of audio of The Beatles at work on ‘Let It Be’, often recording them surreptitiously in order to make the film as candid as possible. Michael Lindsay-Hogg – filmmakerĭirector of Let It Be, having previously worked with The Beatles on promotional films for ‘Paperback Writer’, ‘Rain’, ‘Hey Jude’ and ‘Revolution’.
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Producer of the Let It Be film, who loaned The Beatles Twickenham Studios for the duration of January 1969 in order to rehearse and record their planned TV special while preparations were underway for his next movie project The Magic Christian, starring Peter Sellers and Ringo Starr.
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Here’s a full who’s who of the supporting players (aka anyone who isn’t John, Paul, George or Ringo). The Beatles had gathered a colourful crew around them by 1969, many of whom drop by the ‘Let It Be’ sessions to hang, hustle or play along, thereby ending up in the background of Peter Jackson’s mammoth new documentary The Beatles: Get Back. In addition to her husband, she is survived by a sister, Évelyne a brother, Gilles a son, Mathieu, and a daughter, Iris.Cops and Krishnas, mad inventors and comic geniuses. Her last film was a comedy, “Il Reste du Jambon?” (“Is There Any Ham Left?”), 2010. Pisier adapted from her novel of the same title, based on her childhood experiences in New Caledonia. Pisier appeared opposite Jean-Paul Belmondo in the action-comedy “L’As des As” (“Ace of Aces”), 1982, and directed Kristin Scott Thomas in “Le Bal du Gouverneur” (“The Governor’s Ball”), 1990, a film Ms. She also appeared in the television miniseries “The French Atlantic Affair” and “Scruples,” based on the Judith Krantz novel. After making her less than auspicious American debut in “The Other Side of Midnight” (1977), a cinematic soap opera based on the Sidney Sheldon novel, she exuded Gallic charm as a French teacher in the forgettable “French Postcards” (1979) and, as Coco Chanel, struggled to compete with the costumes in the overstuffed “Chanel Solitaire” (1981). Pisier’s talents did not ensure success in Hollywood, where she was saddled with poor material. monumentally self-involved Karine, and in the famous dinner party scene in Buñuel’s “Phantom of Liberty” (1974), she joined the other guests in taking her seat, with aplomb, on a toilet. She showed a flair for comedy in Jean-Charles Tacchella’s 1975 film “Cousin, Cousine,” playing the high-strung. Téchiné: “French Provincial” (1975), “Barocco” (1976) and “The Brontë Sisters” (1979), in which she played Charlotte Brontë opposite Isabelle Adjani as Emily and Isabelle Huppert as Anne. She played the mysterious governess Sophie in Jacques Rivette’s “Céline and Julie Go Boating” (1974), whose screenplay she collaborated on, and she made three films with Mr.